At the risk of sounding glib, nobody plays a freak quite like Barry Keoghan.

Over the course of his still nascent career, Keoghan has established himself as a performer who thrives at playing outcasts and outsiders, men branded as weirdos by both the audience and the people around them. The Irish actor can play a normal person if he wants — he first gained recognition as the likable young kid who dies a tragic death in “Dunkirk,” and he’s one of the best things about the otherwise disastrous Marvel film “Eternals” — but more off-kilter parts are really where he shines. The guiding star for his film image is the 2017 movie that really first garnered him American recognition, “The Killing of a Sacred Deer.” In Yorgos Lanthimos’ off-putting and icy thriller, Keoghan plays an awkward young man who inserts himself into the life of a cardiac surgeon (Colin Farrell) and wreaks havoc on his family. It’s a genuinely terrifying performance that rests entirely on Keoghan’s charisma and off-kilter screen presence.

In his future performances, Keoghan would continue to inhabit strange characters and make them his own, like in his small but scene-stealing role as a nameless scavenger in “The Green Knight.” His most acclaimed performance, however, inverts how we typically perceive his characters; in “The Banshees of Inisherin,” Keoghan plays a mentally disabled and socially awkward outcast in the titular island community, and he’s heartbreakingly earnest and sympathetic in the role. For his work in the movie, Keoghan won a BAFTA and was nominated at the Oscars for Best Supporting Actor.

Keoghan’s most recent role continues to demonstrate his boldness. In Emerald Fennell’s largely panned “Saltburn,” Keoghan is admirably committed in his performance as awkward nerd turned “Talented Mr. Ripley” style psychosexual menace Oliver Quick, who gets invited for a summer stay at the family estate of his fellow Oxford student Felix (Jacob Elordi). Oliver’s nebbish attitude largely hides the fact that he’s dangerously obsessed with Felix from the people surrounding him, but it’s apparent to the audience thanks to Keoghan’s work and the actor’s willingness to lean into the film’s more ridiculous moments, including the bathtub slurping scene and a climactic naked dance montage. “Saltburn” isn’t a great movie, but Keoghan makes it memorable.

What’s next for Keoghan? The actor will return to World War II seven years after “Dunkirk” as one of the main cast members in Apple TV+’s “Masters of the Air,” which premieres in January. Beyond that, the actor is continuing to work with up-and-coming and interesting indie directors, with films in his pipeline including Chris Andrews’ “Bring Them Down,” Andrea Arnold’s “Bird,” and an untitled movie from Trey Edward Shults.

With “Saltburn” still inspiring internet discourse, IndieWire decided to see where Keoghan’s performance fits in with his overall filmography. The films selected here are ranked not based on their quality but on Keoghan’s performance in them. With that in mind, here are the 10 best Barry Keoghan performances, ranked.

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