“The King’s Speech” sits on the throne this morning, earning 12 Oscar nominations and looking like the film to beat at the 83rd Academy Awards, while “True Grit” follows with 10 nods and “The Social Network” with 8. Not much in the way of shockers this year, but some pleasant surprises in the mix as well as few snubs.
In the Best Picture category — well, its pretty much as most people thought it would be. While there was some chatter that “The Town” might knock off one of the indie films (ie. “Winter’s Bone“), the ten this year are a pretty even balance between studio and indie fare with no real outsider choices; these are movies every critic has seen and been rooting for all year.
Among the nominations that were a pleasure to see, John Hawkes and Jacki Weaver got recognition respectively in the Best Supporting Actor and Best Supporting Actress categories for “Winter’s Bone” (also nominated for Best Picture — a great surprise) and “Animal Kingdom.” In a bit of surprise, “The Illusionist” beat out “Despicable Me” and “Tangled” — two favorites — to slot into the Best Animated Feature category. Oh, and “Dogtooth” for Best Foreign Film? Way to show some brass ones, Academy. However, as usual, the snubs this year are what most people will be talking about.
Christopher Nolan got what is probably the biggest cold shoulder of the morning, as he was squeezed out of the Best Director category. He’s not one to really play the awards game, and only gave some select interviews throughout the fall — we figure that probably played a role in getting him ousted from a category filled with much chattier directors. In Best Actress, the decision to have both Annette Bening and Julianne Moore compete for Best Actress for “The Kids Are All Right” continued to be a losing gamble as Moore was once again shut out. Ryan Gosling certainly deserved some props for “Blue Valentine” as he’s just as great as his co-star Michelle Williams. But perhaps the most mindboggling category is Best Visual Effects, in which eye candy like “Tron: Legacy” and “Scott Pilgrim Vs. The World” got shafted for “Hereafter” (?!) and the goddamn ugly “Alice In Wonderland.” But hey, if you thought “Unstoppable” deserved to be an Oscar nominee, today is your day (Best Sound Editing).
We’ll have more Oscar analysis to come, for now, take a look at the full list of nominees below.
BEST PICTURE
Black Swan (Fox Searchlight)
The Fighter (Paramount)
Inception (Warner Bros.)
The Kids Are All Right (Focus Features)
The King’s Speech (The Weinstein Company)
127 Hours (Fox Searchlight)
The Social Network (Sony Pictures Releasing)
Toy Story 3 (Walt Disney)
True Grit (Paramount)
Winter’s Bone (Roadside Attractions)
BEST ACTOR
Javier Bardem in “Biutiful” (Roadside Attractions)
Jeff Bridges in “True Grit” (Paramount)
Jesse Eisenberg in “The Social Network” (Sony Pictures Releasing)
Colin Firth in “The King’s Speech” (The Weinstein Company)
James Franco in “127 Hours” (Fox Searchlight)
BEST SUPPORTING ACTOR
Christian Bale in “The Fighter” (Paramount)
John Hawkes in “Winter’s Bone” (Roadside Attractions)
Jeremy Renner in “The Town” (Warner Bros.)
Mark Ruffalo in “The Kids Are All Right” (Focus Features)
Geoffrey Rush in “The King’s Speech” (The Weinstein Company)
BEST ACTRESS
Annette Bening in “The Kids Are All Right” (Focus Features)
Nicole Kidman in “Rabbit Hole” (Lionsgate)
Jennifer Lawrence in “Winter’s Bone” (Roadside Attractions)
Natalie Portman in “Black Swan” (Fox Searchlight)
Michelle Williams in “Blue Valentine” (The Weinstein Company)
BEST SUPPORTING ACTRESS
Amy Adams in “The Fighter” (Paramount)
Helena Bonham Carter in “The King’s Speech” (The Weinstein Company)
Melissa Leo in “The Fighter” (Paramount)
Hailee Steinfeld in “True Grit” (Paramount)
Jacki Weaver in “Animal Kingdom” (Sony Pictures Classics)
BEST ANIMATED FEATURE
How to Train Your Dragon (Paramount) Chris Sanders and Dean DeBlois
The Illusionist (Sony Pictures Classics) Sylvain Chomet
Toy Story 3 (Walt Disney) Lee Unkrich
ART DIRECTION
Alice in Wonderland (Walt Disney), Robert Stromberg (Production Design), Karen O’Hara (Set Decoration)
Harry Potter and the Deathly Hallows Part 1 (Warner Bros.), Stuart Craig (Production Design), Stephenie McMillan (Set Decoration)
Inception (Warner Bros.), Guy Hendrix Dyas (Production Design), Larry Dias and Doug Mowat (Set Decoration)/span>
The King’s Speech (Paramount), Eve Stewart (Production Design), Judy Farr (Set Decoration)
True Grit (Paramount), Jess Gonchor (Production Design), Nancy Haigh (Set Decoration)
BEST CINEMATOGRAPHY
Black Swan (Fox Searchlight) Matthew Libatique
Inception (Warner Bros.) Wally Pfister
The King’s Speech (The Weinstein Company) Danny Cohen
The Social Network (Sony Pictures Releasing) Jeff Cronenweth
True Grit (Paramount) Roger Deakins
COSTUME DESIGN
Alice in Wonderland (Walt Disney) Colleen Atwood
I Am Love (Magnolia Pictures) Antonella Cannarozzi
The King’s Speech (The Weinstein Company) Jenny Beavan
The Tempest (Miramax) Sandy Powell
True Grit (Paramount) Mary Zophres
BEST DIRECTOR
Black Swan (Fox Searchlight), Darren Aronofsky
The Fighter (Paramount), David O. Russell
The King’s Speech (The Weinstein Company), Tom Hooper
The Social Network (Sony Pictures Releasing), David Fincher
True Grit (Paramount), Joel Coen and Ethan Coen
BEST DOCUMENTARY
Exit through the Gift Shop (Producers Distribution Agency)
Gasland, A Gasland Production
Inside Job (Sony Pictures Classics)
Restrepo (National Geographic Entertainment)
Waste Land Lucy Walker and Angus Aynsley (Arthouse Films)
BEST DOCUMENTARY SHORT
Killing in the Name Nominees to be determined A Moxie Firecracker Films Production
Poster Girl Nominees to be determined A Portrayal Films Production
Strangers No More Karen Goodman and Kirk Simon A Simon & Goodman Picture Company Production
Sun Come Up Jennifer Redfearn and Tim Metzger A Sun Come Up Production
The Warriors of Qiugang Ruby Yang and Thomas Lennon A Thomas Lennon Films Production
BEST EDITING
Black Swan (Fox Searchlight) Andrew Weisblum
The Fighter Paramount Pamela Martin
The King’s Speech (The Weinstein Company) Tariq Anwar
127 Hours (Fox Searchlight) Jon Harris
The Social Network (Sony Pictures Releasing) Angus Wall and Kirk Baxter
BEST FOREIGN FILM
Biutiful, Mexico
Dogtooth, Greece
In a Better World, Denmark
Incendies, Canada
Outside the Law (Hors-la-loi), Algeria
BEST MAKEUP
Barney’s Version (Sony Pictures Classics) Adrien Morot
The Way Back (Newmarket Films in association with Wrekin Hill Entertainment and Image Entertainment) Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
The Wolfman (Universal) Rick Baker and Dave Elsey
BEST ORIGINAL SCORE
How to Train Your Dragon (Paramount) John Powell
Inception (Warner Bros.) Hans Zimmer
The King’s Speech (The Weinstein Company) Alexandre Desplat
127 Hours (Fox Searchlight) A.R. Rahman
The Social Network (Sony Pictures Releasing) Trent Reznor and Atticus Ross
BEST ORIGINAL SONG
“Coming Home” from Country Strong (Sony Pictures Releasing (Screen Gems)) Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
“I See the Light” from Tangled (Walt Disney) Music by Alan Menken Lyric by Glenn Slater
“If I Rise” from 127 Hours (Fox Searchlight) Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
“We Belong Together” from Toy Story 3 (Walt Disney) Music and Lyric by Randy Newman
BEST ANIMATED SHORT FILM
Day & Night (Walt Disney) A Pixar Animation Studios Production Teddy Newton
The Gruffalo A Magic Light Pictures Production Jakob Schuh and Max Lang
Let’s Pollute A Geefwee Boedoe Production Geefwee Boedoe
The Lost Thing (Nick Batzias for Madman Entertainment) A Passion Pictures Australia Production Shaun Tan and Andrew Ruhemann
Madagascar, carnet de voyage (Madagascar, a Journey Diary) A Sacrebleu Production Bastien Dubois
BEST LIVE ACTION SHORT FILM
The Confession (National Film and Television School) A National Film and Television School Production Tanel Toom
The Crush (Network Ireland Television) A Purdy Pictures Production Michael Creagh
God of Love A Luke Matheny Production Luke Matheny
Na Wewe (Premium Films) A CUT! Production Ivan Goldschmidt
Wish 143 A Swing and Shift Films/Union Pictures Production Ian Barnes and Samantha Waite
BEST SOUND EDITING
Inception (Warner Bros.) Richard King
Toy Story 3 (Walt Disney) Tom Myers and Michael Silvers
Tron: Legacy (Walt Disney) Gwendolyn Yates Whittle and Addison Teague
True Grit (Paramount) Skip Lievsay and Craig Berkey
Unstoppable (20th Century Fox) Mark P. Stoeckinger
BEST SOUND MIXING
Inception (Warner Bros.) Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King’s Speech (The Weinstein Company) Paul Hamblin, Martin Jensen and John Midgley
Salt (Sony Pictures Releasing) Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network (Sony Pictures Releasing) Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit (Paramount) Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland
BEST VISUAL EFFECTS
Alice in Wonderland (Walt Disney) Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows Part 1 (Warner Bros.) Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros.) Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Inception (Warner Bros.) Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Iron Man 2 (Paramount and Marvel Entertainment, Distributed by Paramount) Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick
BEST ADAPTED SCREENPLAY
127 Hours (Fox Searchlight), Screenplay by Danny Boyle & Simon Beaufoy
The Social Network (Sony Pictures Releasing), Screenplay by Aaron Sorkin
Toy Story 3 (Walt Disney), Screenplay by Michael Arndt. Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount), Written for the screen by Joel Coen & Ethan Coen
Winter’s Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini
BEST ORIGINAL SCREENPLAY
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson. Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros.), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
The King’s Speech (The Weinstein Company), Screenplay by David Seidler
