“We’re not what we were.” “There is no good death.” “You want to see what’s…
Making it past the post by the smallest sliver of a hair, “Founders Day” is…
“I’m 18 and highly unremarkable.” So starts “Miller’s Girl,” a drama-slash-psychological thriller that serves more…
A half hour into Barnaby Clay’s debut narrative feature, “The Seeding,” Scott Haze drops to…
Between apocalyptic disaster films and cosmic terrors à la Lovecraft, the horror genre has the…
Authorship is a major point of contention in queer cinema, so let’s get one thing…