An immensely, unstoppably, ecstatically demented fairy tale about female self-hatred, Coralie Fargeat’s “The Substance” will…

An immensely, unstoppably, ecstatically demented fairy tale about female self-hatred, Coralie Fargeat’s “The Substance” will…
Sex is politics and politics is sex in Kirill Serebrennikov’s recklessly beautiful, wildly entertaining English-language…
Eryk Rocha and Gabriela Carneiro’s “The Falling Sky” begins with a long steady shot of…
In front of empty wooden bleachers on a late summer day in Massachusetts, two squads…
It’s hard to remember the last time a director prominently displayed their own vagina onscreen.…
It’s fitting that Ron Howard‘s documentary “Jim Henson Idea Man” gets its name from the…
You haven’t lived until you’ve seen a movie musical where the words “mammoplasty, vaginoplasty, rhinoplasty”…
A searching and scattershot portrait of displacement that’s as likely to resonate with Jia Zhang-ke…
The best part of “Savages” is its opening scene, which says less about the overall…
Renate Reinsve, the marvelous Norwegian with just over a decade on the scene, emerged as…